2009 Echo Conference: Music and Humor Registration
Information: Friday, June 5Registration Monsters,
Macaws, and the Magnificent Seven: Mid-Century Musical Kitsch “A
Survey of the American Novelty Song, 1958-1964” “Disney’s
Enchanted Tiki Room: Post-War Technology, Escape and Soundscape” “Elmer Bernstein’s
Self Parody: Music in The Magnificent Seven and ¡Three Amigos!” Nonsense and
Sensibility: The Subtexts of Humorous Composition “Good
grief!: The Comical Compositions of Cathy Berberian” “Mozart's Serenade
in F Major K. 522: Its True Content Described for the First Time” “Jacques Offenbach
and the Material Origins of Modern Vocal Nonsense” Conference Dinner (free
for participants) Mirth
and Mockery in Madrid: A Crash-Course in Audience Performance Practice Saturday, June 6Registration
and Coffee Staged
Silliness: Music, Comedy, and the Theatre “Musicals
about Musicals: Comedy and the Self-Reflexive Broadway Musical” “The Musical, the American Musical, and ‘Musical Comedy’:
Reflections on the Comic Inclinations of a Genre” “How a thrown
shooe became a tragedy and other funny stories: A Study of the Three
Burlesque Cantatas (1741) by Henry Carey (1689-1743)” Lunch (on
your own) Film
and Television: Cartoons, Camp, and Celebrity Guests “Intertextual
Music and Discursive Parody in ‘The Simpsons’” “‘The Beast!’:
Camp, Humor, and the Beethoven Legend” “Beastliness and Charm in Rossini’s
Overtures” Keynote
Address: “From the Sublime...” |